In my endless search for synth sounds I spend a
whole day on programming this one. I started out
with a simple single S-Disc program but soon 
wanted more (as always). The finished product is
everything I could dream for when I would want to
make soundscapes like Fripp does. If you are 
really good you could even play the intro of 
Wish You Were Here from Pink Floyd, both the solo
and the synths. If you want to, you could loose 
a few things and add a whammy to it to shift the 
pitch of either the "realtime" sounds or of the 
soundscape.

Check out my website for more patches.

Have fun,
Maarten van Helden
www.vanhelden.demon.nl/gear


#================================================
#    SOUNDSCAPE  
#================================================
#
# Program: SOUNDSCAPE
# Auther: Maarten van Helden (mvh@antisocial.com)
# Website: www.vanhelden.demon.nl/gear
# Date Created: January 11th 2002
# 
# This program lets you create smooth and endless
# soundscapes. And is a great way to start and to
# add things to your liking.
#
# In short we use a AWah for sound. This goes
# to a Phaser + Delay and an inverted signal is 
# fedback from # the delay to the phaser to make 
# a smooth and endless soundscape. This sound is
# going through a reverb, chorus, (surround sound)
# delay and phaser to make it thick and wide.
#
# Settings for the noise gate, EQ, preamp 
# and AutoWah depend on your style. The noise
# gate is only used to bring down the background
# noise. Thanx to it slow fade in, it allows you
# to "solo" over the soundscape with a mix of 
# dry signal and a slow synthsound fade-in after
# it. COOL !! The 2Tap Delay is "surround sound"
# to make the whole signal an even wider stereo.
# Watch out for the 4PPhaser, too much and the
# sound gets boomy. I have a Low Pass Filter in
# the beginning, you could moce it and place it 
# before the Phaser only.
#
# The external expression pedal is used to 
# control the hold time of the sound. The 
# internal expression pedal allows you to add
# sounds to the "soundscape" or to play normal
# over the soundscape without changing it. 


#================================================
# Device:	Digitech GSP2101
# Version:	3.00.00a (Dual S-Disc needed)
# Algorithm number: User
#================================================

#================================================
# MODEL PARAMETER SETTINGS 
#================================================

LINK AS FOLLOW:

Left input	to 	Awah
Awah 		to	HPF
Left input 	to 	2x1a 1
HPF		to	2x1a 2
MDly out	to 	Inv a
2x1a out	to 	2x1b 1
Inv		to 	2x1b 2
2x1b out	to 	Pha input
Pha out	to 	MDly input
2x1a out	to 	2x1c 1
MDly out	to 	2x1c 2
2x1c		to 	MRvb

2x1a out	to	2TDly
2TDly 2	to 	Inv b
2TDly 1	to 	Inv c
MDly		to 	3x1 1
2x1c		to 	3x1 2
MRvb 1	to	3x1 3
3x1		to	4PCho
3x1		to 	4PPha
3x1		to	14x2 1
4PCho		to	14x2 2-5
4PPha		to	14x2 6-9
2TDly 1	to 	14x2 10
Inv b		to	14x2 11
2TDly	2	to 	14x2 12
Inv c		to	14x2 13
Mrvb 1	to 	14x2 14



PARAMETERS:

S-DISC I:
Compr (On, 2:1, -30, 0)
Distr (Bypass)
EQ (-4, 0, 0, 0, 0, 0, 0)
MVol (+7)
FxL (Bypass)
SNgt (On, -70, 0, 0, 800, 0, 100, 0.0)
AWAH (what you like)
HPF (100Hz)
2x1a (83, 100, 49 [int 49 to 91])
Inva (out, 100)
2x1b (70 [int 70 to 0], 90 [ext 90 to 99 or 100 for endless], 100)
Pha (100, off, 0.43, 70, S)
Dly (0.1, 0%, 100)
2x1c (0 [int 0 to 100], 100, 100)
MRvb (0, 100, 10, 3150, 6300, 8, 4.00, 50)

S-DISC II:
2TDl (0.5, 0.3, 47%, 100)
Invb (out, 100)
Invc (out, 100)
3x1 (100, 100, 100)
4PCh (0, 10, 20, 13, 0.42, 3.25)
4PPh (100, 31%, 0.52, 22)
14x2 (0/0, 100/-50, 100/50 x6, 2x full left and 2x full right at 100, 0, output 100)
Wet/Dry (100, 100)


#================================================
# Additional notes
#================================================

I've changed a few things for myself since I've 
made the patch. The LPF now only works on the 
4Phase Phaser. The 3x1 gets a signal from the 
2x1a, the Dly and the Reverb. The levels
of the inverted delays are set at 50 in the
14x2 mixer.

#================================================